anthony dobranski online


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A quick hello during a busy season

I am sorry to have been so silent. In between summer travels with family, all my projects have been in construction phases, and I don’t like vague-posting.

But, news. I have several author events scheduled for this fall. You can find me at:

The Fredericksburg Independent Book Festival, Fredericksburg, VA, Sat Sep 23

YABBAFest, Warrenton, VA, Sat Oct 14

Quest-Con, Mobile, AL, Fri Oct 20-Sun Oct 22

Philcon, Cherry Hill, NJ, Fri Nov 10-Sun Nov 12

I have also begun recording The Demon in Business Class audiobook. People who sign up for my mailing list at Fredericksburg or after will get a free copy of the early session recording of Demon chapter 1.

Want in on the goodies? Sign up too! 

The third project is of course my new novel, which I finally have come to admit is not going to be fleshed out from the previous manuscript, but completely rewritten. I have however set myself the semi-impossible goal of debuting it next year at Atlanta’s massive DragonCon, which means that next week I get to writing in a headlong Phildickian rush. Well, maybe not, but I have a lot to do.

I’ll be posting about the book in a couple of days, since I can actually discuss it now and show some concepts.

A fourth project … awaits much more solid scheduling. Suffice it to say I am working with great artists.


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Demon ebook on special sale until Aug 17

Starting today for the next three weeks, The Demon in Business Class ebook is on sale as part of the “Bump in the Night” fantasy-thriller set at Storybundle.

Pay from $5 to $15, you get six ebooks, including mine; pay more than $15 and get nine more ebooks. Download versions for all readers – or, if you follow their slightly technical instructions, Storybundle can send it direct to your Kindle/Kindle app.

If you have friends who are fantasy or thriller readers, please share the sale with them! It’s good until August 17 2017.


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Hello Florida Supercon – goodbye wonderful Raleigh!

Hope to see you this coming weekend, July 27-30, at Florida Supercon in Fort Lauderdale, FL. I’ll be at the Bard’s Tower booth all four days of the con with Kevin J. Anderson, Josh Vogt, Kevin Ikenberry, Keith DeCandido, and J Scott Savage. I have one scheduled panel, on using real world experiences in fiction, at 3:30pm on Thursday.

I’m pleased that Florida Supercon is under the same management as last week’s Raleigh Supercon. Raleigh was a tremendous event, well-run and with a welcoming energy. I met many enthusiastic people, and even got to join a panel on Religion and Magic.

I’m very lucky to have Bard’s Tower as a promotional outlet to the world of fan conventions. Bard’s Tower helps me connect to my audience while working in a collaborative way with fantastic and experienced writers. Speaking as a business, tens of thousands of people with hundreds of options and real-world budgets are a brutal lab for direct marketing. As an artist, it’s an incredible chance to find that certain reader my work really speaks to, live and in-person — an unrivaled source of joy.


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Hello Connecticon 2017 – and thanks!

Tonight I fly north to Hartford, CT, to join the Bard’s Tower booth opening Friday at Connecticon. It’s the first of three cons I’m doing in July at Bard’s Tower, with other fantastic writers.

Cons are intense, by design, and they’re also long days standing on concrete. Three cons in four weekends is a heavy schedule, personally tiring and hard on my family. Still, #livingthedream . These are my last big cons this calendar year. I want to connect with every interested reader during my hours in these big convention halls.

How immediate these connections can be! People know their tastes, even if naming them with difficulty, but they feel. Once in a while I get a visual clue that a convention-goer might be my audience – cosplaying Sandman‘s Death, or wearing an Unknown Pleasures t-shirt – but more often, the readers find me and click. I’ll see an hour of people glancing away, then a delighted voice reads my title aloud and everything brightens.

Connecticon 2016 was my first con behind the table, learning to connect with readers in person and find their interests, before my launch in Cincinnati. Seeing how little time one gets in the hugeness of a con convinced me to market overtly to a niche sensibility.

I am excited to come back with my book – and new trading cards!


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New Demon trading cards!

As a promotion on social media for The Demon in Business Class, I created a virtual trading card deck. For cons, I printed card versions of the nine character pictures. They were done as a last-minute inspiration, made by shoving the cards’ original Instagram proportions into a business card template on Moo.com, the excellent online printer. The cards turned out to be popular at cons and events, and at a better cost-per-item than postcards.

I updated the info on the back and resent the cards to print a larger order – seven this time, of the original nine, because nine is unwieldy at a con; and extra Zarabeths.

This time, Moo said the uneven border made for unsatisfactory results, and offered me the chance to do the cards over with new images. They were right of course, and I took the opportunity.

At my upcoming cons in Hartford, Raleigh, and Ft Lauderdale, I’ll be sharing the good word about Demon with new promotional trading cards!


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The Inner Loop reading series

I had a great evening under twilit stars – and frequent, seemingly aimless helicopters –  with The Inner Loop, a monthly DC reading series for poetry, fiction and non-fiction writers, at Colony Club. The headliner was Jennifer Atkinson, a poet drawn to human disaster, with readings by Joel Goldberg, Matthew Moniz, Alyssa Oursler, Alex Aronovich, Peg Alford Pursell, Alan C. Page, Leila Rafei and Sam Mahone.

Standing room only!

       

I’m firmly in the camp that writing is an art for the ear. Studying other languages’ poetry let me hear the latent music in my own writing. I always want my work to sound good aloud and I love to hear other authors reading. It’s a happy time for this viewpoint, with the growing market, and quality, of podcasts and audiobooks. I’ll be fascinated to see how English prose style changes for a world where most of it is heard not read. (Prediction? Dialogue tags will lose “said.”)

The evening had a warm, friendly feel. I talked shop with other writers, books with readers. A writing event is quieter than a band, with no dancing or chatter and surprisingly little phone use other than recording videos. The vibe remains casual and attentive. Even for the writers – 5 minutes, and you’re back in the audience.

There will be a bigger market for these. Already the Moth series has spread to live events in several cities. Reading for performance will be the new penmanship.